Can I Get a Phd After Going to Art School?

Nosotros're doing something no ane else has done—we've radically reconceived the PhD caste based on the premise that creative thinking lies at the eye of innovation in all fields.

The PhD in Inventiveness is a low-residency degree for advanced interdisciplinary research in the arts, humanities, sciences and social sciences. This outset-of-its-kind PhD offers unique features not constitute elsewhere: intensive immersion in creative thinking, cross-disciplinary workshops for dissertation evolution, and professionally accomplished advisors from outside the university whose choice is tailored to best serve each unique dissertation.

All PhD programs require a dissertation that makes "an original contribution to knowledge." Still after steeping the candidate in the existing literature and methods, they offer no guidance on how to move across them. At University of the Arts, our PhD is about fundamentally irresolute the manner our students think. We seek students who have already achieved a professional mastery in some subject area, and we set up them to go to another level. We show them how to exist open to finding that moment when ideas that didn't seem to have annihilation to do with one another suddenly come together to inquire or answer a question, create a solution to a problem, produce a new invention. This immersion in the arts can teach a practitioner in whatever field—science, medicine, business organization, engineering, healthcare, the social sciences, the nonprofit globe and fifty-fifty the arts—to think more creatively.

The PhD in Creativity is a three-twelvemonth, dissertation-only program.

Most PhD programs require 6 or seven years to consummate. Such programs begin with a thorough training in a field'due south methods and base noesis and administer a qualifying exam afterwards this training is complete. The PhD in Creativity's application serves as that qualifying examination; nosotros examine an bidder's MA or other grooming, professional experience and dissertation proposal to determine their readiness to enter our PhD and brainstorm their dissertation.

All transformative work—even in technology, scientific discipline and social scientific discipline—depends upon intuition and nonlinear idea. Yes, nosotros need the rigors of the scientific method and the information base of operations of knowledge. Yet to have innovation to another level, we also need to transcend the hierarchies of conventional training. And the arts offer the most consciously adult disciplines of nonlinear and integrative thinking.

The PhD in Creativity begins with inventiveness itself: Creative thinking is in the Dna of our kinesthesia, and no university is amend equipped to teach it. The PhD commences in mid-June with the Creativity Immersion. During this two-calendar week residency, students are immersed in a curated sequence of arts experiences for an intense course in inventiveness. Each cohort presents their proposal for a group critique past their fellow students and faculty. They then reframe that proposal every day, through a wide diverseness of creative lenses. Since each cohort draws from a range of disciplines, candidates are forced to jettison disciplinary jargon and hone in on their ideas.

Informed by daily experiences in different creative practices, students revise their proposals into working drafts. Later the Creativity Immersion, students utilize these revised proposals to build their dissertation committees, in consultation with the programme managing director.

In mid-June of the start year, students come up to Academy of the Arts for the Creativity Immersion. The cohort reconvenes in Jan and then again in the 2d summertime of the program for challenging, interdisciplinary one-week seminars.

UArts President and CEO David Yager and Program Director Jonathan Fineberg met in 2015 at a conference on cantankerous-disciplinary thinking in fine art and science sponsored by the National Academies of Sciences, Engineering and Medicine (part of the National Academies Keck Futures Initiative). Well known for his pathfinding work in medicine and art, the academies had asked David Yager to serve on the steering committee. The organizers asked Jonathan Fineberg to speak about his new book Modern Art at the Border of Mind and Brain which crosses psychoanalysis and neuroscience with fine art criticism for a fresh perspective on creative thinking. At this conference, Jonathan and David began a conversation that led to their collaboration in creating this radically reconceived PhD. On the premise that creative thinking lay at the middle of innovation in all fields, it seemed appropriate to offer this first-e'er PhD in Creativity—irrespective of the field of research—in an art school and to begin with an intensive focus on creative thinking.

The director of the UArts PhD in Creativity and the university president

Jonathan Fineberg (left), director of the PhD in Creativity, and David Yager (correct), UArts President and CEO

Access

Applications to the PhD in Creativity for the 2022–2023 academic year are closed.

The PhD in Creativity is known for providing a tailored, personalized feel for each of its students and their unique, interdisciplinary dissertations. In service of this goal, the PhD in Inventiveness operates via a unmarried-cohort model, accepting a new cohort every three years equally the previous grouping finishes.

Read more about our application process below.

If you accept questions almost the awarding process, email phdprogram@uarts.edu.

Awarding Timeline

  • August 25, 2021: Applications open up for the PhD in Creativity.
  • Nov 15, 2021: Awarding materials are due.
  • January 2022: Finalists are invited to interview with the Director.
  • Mid-February 2022: Last decisions are issued.

Application Requirements

We seek students who have already achieved proficiency in an intellectual pursuit—it could exist in any field—such that the candidate is prepared for the dissertation stage of a rigorous but out-of-the-box PhD. Our students will typically have found themselves wanting to transcend the disciplinary limits of their preparation with an interdisciplinary project. We will be looking for projects that may not easily fit into programs elsewhere. We actively encourage students currently enrolled in PhD programs elsewhere to enroll in the two-week Creativity Immersion to frame or re-frame their dissertations; leaving their current program is non required.

The application materials are as follows:

  • A Research Proposal of about ane,000 words, outlining the dissertation you wish to pursue in the PhD of Creativity. This document should land the central question your enquiry proposes to address. It should as well discuss the demand for your projection, both personal and on the broader scale of scholarship; your project's relationship to previous scholarship in the field; the methods yous suggest to apply; and a selection of works you consider central to your project.
  • A Personal Argument of about ane,000 words, telling the states why y'all're interested in the PhD in Creativity. Topics you may wish to consider when writing this document: What led to your involvement in pursuing a PhD of this kind? How has your prior training or piece of work experience prepared you to undertake the writing of your dissertation? What other works or paths – books, articles, bodies of piece of work, or other influences – do you lot want to explore during your time in the programme? With what kinds of advisors would you ideally like to piece of work? What do you envision yourself doing with this degree? Please note that these are only suggestions, and the personal statement is not intended to be a comprehensive document. Overall, it should give u.s.a. a sense of your interests and who you are.
  • Your Resume or CV.
  • Awarding Form: The nonrefundable application fee of $60.00 can exist paid by credit menu, cheque, or money lodge. The fee must be payable in U.South. currency and all checks must be drawn on U.S. banks. Academy of the Arts graduates are exempt from the fee.
  • Transcripts: From each graduate and undergraduate schoolhouse from which y'all have earned a degree. Unofficial transcripts may exist uploaded at the application stage. Afterwards a candidate is accustomed, their official transcripts should be sent directly from the Registrar'due south Function at the higher(s) or school(southward) previously attended. All transcripts from exterior the U.s. must be in English language and must be official. In some cases, a transcript evaluation from a third-political party credential evaluation service (such as WES or ECE) may be required to assess international credentials.
  • Two Letters of Recommendation: These recommendations should come up from professors or professionals in your field who are familiar with your capabilities and credentials.
  • English Proficiency: International applicants must demonstrate fluency in spoken and written English language as a requirement for this programme. English proficiency will be assessed through writing samples. All candidates will be asked to complete an interview online or in person, and may be asked to submit test results from the TOEFL, IELTS, or DuoLingo English Test.
  • Standardized Examination Scores: GRE scores are optional and not required. If you lot submit GRE scores, official test scores must exist sent by ETS to the University. The correct institution code to use when requesting scores is 2664. You do not demand a departmental code.
  • Applicants are encouraged to submit a copy of their dissertation, thesis, or capstone projection for their previous degree.
  • Financial Aid: Domestic students may submit the Free Application for Federal Educatee Assist (FAFSA) online at http://world wide web.fafsa.ed.gov. Submit the FAFSA to the Federal Student Aid Program by February 15 for priority consideration. FAFSA applications are bachelor October 1. List the University of the Arts every bit the institution to receive your information. The Title IV Code for the University of the Arts is 003350. For additional information, see the Financial Aid section of the university's website.

If accustomed, a nonrefundable deposit of $600 (to exist applied to the offset-year tuition) will be required to concur a space in the programme . In infrequent cases, this fee may be waived.

The PhD in Creativity is accredited by the Middle States Commission on Higher Education.

Tuition

The annual tuition for the 2022–2023 bookish year is $49,060.

Tuition covers the cost of hiring summit experts from around the world for dissertation committees, and of administering the Summer Inventiveness Immersion as well equally the winter and 2nd summer immersion seminars. This fee does not include meals or housing.

For more information on tuition, click here.

All applications to the PhD in Inventiveness are reviewed by the Admissions Committee, and applicants may also receive some fellowship funding from the Academy. Fellowships are granted based on a combination of merit and need; in lodge to exist considered for fellowships, students who are able to fill out the FAFSA must do so. Students who have been accepted to the program will be notified of whether or non they have received a fellowship earlier the eolith deadline. University fellowships can help cover a portion of tuition costs, simply full tuition fellowships are not available at this fourth dimension.

If eligible, students who complete the FAFSA may also receive an offer of $twenty,500 in Federal Straight Unsubsidized loans. Yous can apply to borrow additional funds to cover your costs in the form of a Federal Straight Graduate PLUS loan or private educational loans. All students are strongly encouraged to seek fellowships from external sources in the forms of scholarships, grants, and fellowships from foundations and corporations. The Office of Educatee Financial Services at the University of the Arts can help you in starting your funding search.

Please notify us if you have an outside company or agency that will be assisting with funding your degree. This will not disqualify you from being considered for Academy funds but will allow united states to facilitate payment processing. As the majority of piece of work is washed remotely in this programme, students are not eligible for university health insurance.

Questions?

Contact the program online.

Contact United states of america

Housing & Agenda

Housing Options While in Residence

We encourage students to find housing inside walking distance of the University of the Arts at nearby hotels or AirBnB residences. Students seeking assistance with housing options should contact our office past email: phdprogram@uarts.edu

The Calendar

A 2-week residency is held during the first summer of the program for each cohort of PhD students. This intensive Inventiveness Immersion grade includes ongoing seminars on methods and the revision of the dissertation proposals.

The June 2022 Inventiveness Immersion is tentatively scheduled for June 20-July 3, 2022.

Students drawing a set of skulls

PhD in Creativity candidates at the Mütter Museum during the Creativity Immersion Session, June 2019.

Informational Councils

The Informational Council is comprised of distinguished professionals beyond diverse disciplines whose knowledge and expertise has contributed to the formation of this program. They will assist in the recommendation and selection of exterior advisors to serve each dissertation.

David Yager
President, University of the Arts, ex officio

David Campbell
Professor of Physics, Electrical and Figurer Applied science, and Materials Science and Engineering and former Provost, Boston University

Roy Campbell
Sohaib and Sara Abbasi Professor of Calculator Science, Academy of Illinois at Urbana-Champaign

John Carlin
Author, tv set producer, and tape producer. Founder of Funny Garbage, one of the first digital blueprint companies in New York, and The Red Hot Organization, i of the first major AIDS charities. He teaches entertainment law at Columbia Law School.

Anjan Chatterjee
Professor of Neurology, Psychology, and Compages, Academy of Pennsylvania. Manager of Penn Eye for Neuroaesthetics and author of The Aesthetic Brain: How We Evolved to Desire Beauty and Savor Art

Christo
Artist, NY. Creator, with Jeanne-Claude, of such temporary art projects as The Gates (NYC), Running Fence, Wrapped Reichstag, and the forthcoming L'Arc de Triomphe, Wrapped. (*Though Christo is now deceased, he continues to provide a model for the PhD in Creativity.)

Fang Lijun
Artist and entrepreneur, Beijing. Associated with Cynical Realism in the 1990s, Fang is a leading vanguard artist. He is also a founder of the National Archives of Contemporary Art.

Jack Flam
President of the Dedalus Foundation and Distinguished Professor Emeritus of Art and Fine art History at Brooklyn College and the Graduate Center of the City Academy of New York

Kathleen A. Foster
The Robert 50. McNeil, Jr., Senior Curator of American Fine art, and Director, Center for American Art. Curator and fine art historian, she has published on nineteenth- and twentieth-century artists such as Thomas Eakins, Winslow Homer, and Andrew Wyeth; most recently, she organized the exhibition and catalogue American Watercolor in the Historic period of Homer and Sargent at the Philadelphia Museum of Art.

Henry Louis Gates, Jr.
Alphonse Fletcher University Professor and Director of the Hutchins Eye for African and African American Inquiry at Harvard University; recipient of the MacArthur "genius" award too as an Emmy and a Peabody Award for his television serial, The African Americans: Many Rivers to Cantankerous

Kevin Hamilton
Dean of the College of Fine + Applied Arts and Professor of New Media, University of Illinois Urbana-Champaign; co-author of Sentry America!: The Hush-hush Hollywood Studio at the Eye of the Cold State of war

Hannah B Higgins
A Professor and founding Director of the interdisciplinary BA in IDEAS at the University of Illinois at Chicago. Her books include Fluxus Experience (Academy of California Press, 2002), The Grid Volume (MIT Press, 2009) and the co-edited anthology Mainframe Experimentalism: Early Calculating and the Foundations of Digital Fine art (Academy of California Press, 2012).

Emilia Kabakov
Creative person, NY. A pioneer, with Ilya Kabakov, of installation fine art, with recent retrospectives at the Guggenhiem Museum in NY, the Hirshhorn Museum in Washington, and the Tate Modern in London

William Kinderman
Leon M. Klein and Elaine Krown Klein Chair of Operation Studies in the Herb Alpert School of Music, Academy of California, Los Angeles. A leading authority on Beethoven and internationally known pianist, scholar and recording artist, he has received a lifetime achievement award from the Humboldt Foundation. He has published a dozen books, including Beethoven, The Creative Procedure in Music from Mozart to Kurtag, and studies of Mozart and Wagner.

Bon Ku
Bon Ku, Medico, MPP is the Assistant Dean for Health & Design at Thomas Jefferson University. An emergency medicine physician, he also directs the Health Design Lab which has featured in The New York Times, CNBC, and Architectural Digest. His volume, Health Blueprint Thinking, co-written by Ellen Lupton, was published in 2019.

Cynthia Oliver
Professor of Trip the light fantastic toe, Associate Vice Chancellor for Inquiry, University of Illinois at Urbana-Champaign; choreographer of Virago-Man, in the 2017 BAM Next Wave Series and currently touring.

Larry Silver
Larry Silver is Farquhar Professor of Art History, emeritus, at the University of Pennsylvania and past President of the Higher Fine art Association.  He specializes in Northern Old Master painting and graphics and his books include Peasant Scenes and Landscapes (Penn 2006), Marketing Maximilian (Princeton, 2008), and Jewish Fine art: A Modernistic History (2011, with Samantha Baskind).

Fred Tomaselli
Artist, NY; all-time known for detailed paintings of birds, plants, and transparent human forms in a combination of unorthodox materials, and for his fantastical reimaginings of the pictures on the front page of the New York Times; represented by James Cohan Gallery and White Cube in London, with solo exhibitions in New York at the Whitney Museum and the Brooklyn Museum

Deborah Willis
UArts BFA '75 (Photography); Professor and Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York Academy; she is an artist, lensman, curator, photo historian, and writer. Willis is as well a recipient of the MacArthur "genius" award, amid many other accolades.

Jerry (Yoram) Wind
Lauder Professor of Marketing Emeritus at the Wharton School, University of Pennsylvania. Internationally known for pioneering enquiry on organizational buying behavior, market segmentation, conjoint analysis and marketing strategy.

Zhang Xiaogang
Creative person, Beijing; one of the leading painters of the beginning generation of artists to emerge in China later on the Cultural Revolution and an artist of global influence

Semir Zeki
Professor of Neurobiology and Neuroesthetics at University College London and FMedSci Fellow of the Royal Society

The members of the

University Advisory Committee

are Quinn Bauriedel, Erin Elman, Bill Gast, Emily Mattingly, Kym Moore, Jesse Pires, Alan Price, Paul Schuette, and Jesse Zaritt.

The

Admissions Committee

remains bearding. It includes a inquiry doctor, a professor of physics and technology, a former Enquiry 1 academy administrator, a studio artist and administrator, an fine art historian specializing in American and African American art, a museum curator with degrees in anthropology, and the director of the PhD at the University of the Arts, equally chair.

People

Click on the photos below to learn more almost the plan'due south Director, faculty, and PhD candidates.

Manager and Faculty

A headshot of Ph.D. Program Director Jonathan Fineberg.

Jonathan Fineberg

Program Managing director, PhD in Creativity

A headshot of Zach Savich, director of the Creative Writing program.

Zach Savich

Visiting Faculty, Creativity Immersion

A headshot of Buzz Spector, visiting Ph.D. faculty

Fizz Spector

Visiting Kinesthesia, Creativity Immersion

Meet the PhD Candidates

A headshot of Ph.D. candidate Rose Benson

Rose Benson

PhD

Nurse anesthetist and researcher

A headshot of Ph.D. candidate Susannah Eig.

Susannah Eig

PhD

Theater director, producer and thespian

A headshot of Ph.D. candidate Susan Gordon.

Susan Gordon

PhD

WSET-certified wine writer

A headshot of Ph.D. candidate Eugene Hughes.

Eugene Hughes

PhD

Psychotherapist, Artgym founder and filmmaker

A headshot of Ph.D. candidate Jessica Hunter-Larsen.

Jessica Hunter-Larsen

PhD

Associate director of innovation, Colorado Higher

A headshot of Ph.D. candidate Frank Machos.

Frank Machos

PhD

Executive director, Role of the Arts & Creative Learning, School District of Philadelphia

A headshot of Ph.D. candidate Patricia Salkin.

Patricia Salkin

PhD

Provost, Graduate and Professional Divisions, Touro College

A headshot of Ph.D. candidate Abel Tilahun.

Abel Tilahun

PhD

Filmmaker and artist

A headshot of Ph.D. candidate Cindy Veloric.

Cynthia Haveson Veloric

PhD

Art historian, environmentalist and researcher in American Art, Philadelphia Museum of Fine art

News

April 18, 2022

James Brandon Lewis, a critically acclaimed composer, saxophonist and writer, has been named the countdown recipient of The Balvenie Fellowship in University of the Arts' PhD in Creativity plan. The scholarship opportunity is supported by The Balvenie and informed by drummer, DJ, Academy Award-winning manager, New York Times bestselling author and founding fellow member of The Roots, Ahmir "Questlove" Thompson.

Read the full fellowship annunciation.

Apr 13, 2022

Congratulations to PhD candidate Patricia Salkin, who led a panel grounded in her PhD dissertation research, "From Legal Pedagogy to the C-Suite: Lawyers Leading Higher Didactics," at the American Association of Law Schools'southward 2022 Annual Conference! The recording of the panel, which took place on Jan seven, has simply been released to the public.

Watch it here: "From Legal Education to the C-Suite: Lawyers Leading Higher Education"

Apr 6, 2022

Programme Managing director Dr. Jonathan Fineberg reviews the Barnes Foundation's exhibition, Water, Wind, Breath: Southwest Native Art in the Barnes Foundation, in the Brooklyn Track:

[The exhibition] shows united states of america a glimpse of the catholic scheme of the Navajo and Pueblo worlds. [It] also provides examples of living artists finding ways to configure their ain individuality within those nonetheless evolving cultures. This helps u.s. sympathize something well-nigh ourselves and our own culture(southward) too.... The way of looking that permeates the Barnes collection, the deliberately perplexing discourses that Barnes set up up in his "ensembles" of objects, pushes us to see his collections, similar this exhibition, in a constant flux of fresh relationships between things. Information technology aspires to promote a radical openness and prompts us to rethink how we see ourselves—our past and our nowadays—and how we see the globe.

Read it here: "Water, Air current, Jiff: Southwest Native Fine art in Customs"

A cream-and-black earthenware pot

San Ildefonso Pueblo, ca.1780. Storage jar, black-on-foam earthenware. Barnes Foundation, Philadelphia.

December 9, 2021

In the Brooklyn Rail, Program Director of the PhD in Inventiveness Dr. Jonathan Fineberg pays tribute to Bob Thompson, the Colonel John Trumbull Professor of African and African-American Art at Yale University. Here, Fineberg honors his dear friend, writing of existence "fundamentally inverse" by Thompson'south African Fine art in Motion (1974), and calling his twoscore-one-year friendship with Thompson "one of the many gifts just for standing in the orbit of 'Master T.'"

Read it hither: "In Memoriam: Bob Thompson"

Jonathan Fineberg and Bob Thompson

December vii, 2021

Congratulations to PhD candidate Cythia Haveson Veloric on a number of upcoming publications and presentations!

Veloric volition present "Sun and Bounding main (Marina), a Story of Ecological Survival (or Not?)" at the Washington University Graduate Fine art History Symposium, in February 2022, at Washington University in St. Louis. She volition as well present "Interrogation by Pattern: Michael Pinsky's Pollution Pods" at the College Art Clan'due south almanac briefing in March 2022.

Veloric's piece of work is too soon-to-be-published in Perspective : A Global Survey of Infinite Blueprint in Art History. Her affiliate "Controlled Infinite: The Pollution Pods Feel" volition appear in the volume, edited by Sarina Miller and forthcoming in 2022 from Vernon Press.

Oct 17, 2021

The PhD in Creativity is pleased to exist featured in the latest effect of Prevention Magazine, with quotes from PhD candidate Patricia Salkin:

Creativity tin can even be taught, or at to the lowest degree fostered. That'due south the whole idea behind the nation'southward outset Ph.D. program in creativity at Philadelphia's University of the Arts. Patricia Salkin, formerly a government lawyer and now provost at Touro Higher, is one of the nine students enrolled. The students' backgrounds sound like the outset of a joke, she says: "A lawyer, a filmmaker, and a psychotherapist walk into a classroom…"

The college's immersion program asked enrollees to perform improvisational theater, utilize percussion instruments to make music, and discuss with artists the inspiration behind their works. "I don't consider myself an artist in the sense of fine art, but every ane of united states tin can be an creative person in whatever field nosotros cull, as nosotros create our own sheet," Salkin says.

Read the full article hither: "Creativity Is the Surreptitious to a Vibrant, Healthy Brain—and Information technology'due south Easier Than You Recall"

October v, 2021

The University of the Arts is extremely proud to denote a new partnership with Philadelphia-based musician Questlove and Scottish whisky company The Balvenie, which will fund i student for all iii years in the PhD in Creativity. The winning candidate volition be selected by Questlove, in partnership with The Balvenie and the University of the Arts. The scholarship program is open to anyone over the historic period of 21 from now through November 15th, 2021.

Read a characteristic story on this scholarship plan in Essence! "Questlove Launches Scholarship Fund For Students Interested In Becoming A Doctor Of Creativity"

The musician Questlove

July 15, 2021

Congratulations to PhD candidate Susan Gordon on her recent publication in the Cleveland Review of Books! In this piece, Gordon, whose dissertation examines the intersection between language, land, and Prosecco in Asolo and Conegliano-Valdobbiadene, Italian republic, reviews Rob Arnold's The Terroir of Whiskey: A Distiller's Journey into the Flavor of Place.

Read it here: "The Where of Grains: On Rob Arnold's "The Terroir of Whiskey"

The book cover of Rob Arnold's The Terroir of Whiskey

June 14, 2021

Program Managing director Dr. Jonathan Fineberg was recently featured on ThinkTech Hawaii! Here, Dr. Fineberg discusses his book, Mod Fine art at the Border of Mind and Brain.

Watch information technology here: "Proficient Opinions: Art without Borders"

Three people in conversation via webconferencing

June 1, 2021

Program Director Dr. Jonathan Fineberg reviewed the Barnes Foundation'due south exhibition Soutine/de Kooning: Conversations in Paint for the Brooklyn Track. In this review, Fineberg writes, "Whereas Soutine's work brings out emotional turmoil, de Kooning treats the ambiguities of perception equally an exciting epistemological adventure."

Read the total review here: "Soutine/de Kooning: Conversations in Paint"

Chaïm Soutine, The Room Service Waiter

Chaïm Soutine, The Room Service Waiter, c. 1927. Oil on sheet, 34 one/4 ten 26 inches. Musée de l'Orangerie, Paris.

April nine, 2021

Congratulations to PhD candidate Susannah Eig-Gonzalez on her contempo publication in the Cleveland Review of Books! Here, Eig-Gonzalez reviews Emma Smith's essay collection This is Shakespeare, which is, equally Eig-Gonzalez says, "a swift just insightful guide to Shakespeare's plays."

Read the review here: "No Such Thing as a Stupid Question: On Emma Smith's 'This is Shakespeare'"

The cover of the essay collection This Is Shakespeare by Emma Smith

Apr 1, 2021

Congratulations to PhD candidate Patricia Salkin, whose dissertation research is extensively quoted in a new commodity in ABA Journal! Salkin's enquiry explores the trends, history, and reasoning behind the skyrocketing number of attorneys existence appointed every bit university presidents. Equally Salkin says in the article, "With all of the complexities of higher didactics over the concluding quarter century, it has fabricated lawyers more viable candidates and somewhat in demand."

Read the commodity here: "Lawyers find their skill sets make them ideal candidates for college presidencies"

March nine, 2021

Congratulations to PhD candidate Jessica Hunter-Larsen on her essay in Visual Thinking Strategies! Here, Hunter-Larsen draws on her dissertation work to examine how visual thinking strategies can serve as "an alternative model of an effective problem-solving strategy that tin can be practiced in smaller increments and integrated across disciplines."

Read it here: "When Dubiousness Becomes Possibility: VTS and Artistic Trouble-Solving"

An abstract drawing

Credit: Jessica Hunter-Larsen and Pupil

March ane, 2021

Congratulations to PhD candidate Cynthia Veloric on her recent publication in Afterimage: The Journal of Media Arts and Cultural Criticism, from University of California Printing! Here, Veloric discusses the notion of "rupture," via the lens of mining, in thinking about art and the Anthropocene.

This article draws straight from Veloric'due south dissertation work on the role of artists in driving social sensation of the climate crisis.

Read the article here: "Aesthetic and Industrial Rupture in the Piece of work of Edward Burtynsky and Justin Brice Guariglia"

A photo-based print of a mining landscape

Mining Landscape No.129/Au (2014–eighteen) past Justin Brice Guariglia; courtesy of the artist and Maruani Mercier Gallery, Brussels

Jan 28, 2021

Congratulations to PhD candidate Patricia Salkin on her latest article in University Business organization! Here, Salkin examines the phenomenon past which increasing numbers of universities are realizing that the fundraising skills and fiscal management acumen of lawyers make them uniquely qualified to succeed as campus presidents. This commodity is based on Salkin's dissertation inquiry.

Read it here: "Why Lawyers Make Fantabulous Bookish Leaders"

Two people in suits walking out of a building

January 6, 2021

Congratulations to PhD candidate Patricia Salkin on co-authoring another publication in Bloomberg Law! In this article, Salkin and others explain how a disorganized response past bar examiners to the Covid-19 pandemic disadvantaged many prospective bar test takers, revealing a need for the police profession to pay more attention to the licensing process.

Read the article here: "Pandemic Bar Exams Left Many Aspiring Lawyers Behind"

Rows and rows of empty desks

December 21, 2020

Congratulations to PhD candidate Cynthia Veloric on her upcoming presentation at the Art History Graduate Educatee Association Conference at Southern Methodist University in Dallas, TX! Veloric will nowadays "Contaminated Distance in a Cute Vanquish: Michael Pinsky'south Pollution Pods." The conference volition take place from February 26-27, 2021.

Five domelike pods sitting on a coastline

Credit: Michael Pinsky

December 15, 2020

Congratulations to PhD candidate Patricia Salkin on her paper "Should I Stay or Should I Go: Student Housing, Remote Didactics, Campus Policies and COVID-19." The paper, which examines the legal and policy challenges that take resulted from besiege housing situations at colleges and universities during the pandemic, is currently available on SSRN and volition be published in the February 2021 upshot of The Urban Lawyer!

Download it here: "Should I Stay or Should I Get: Student Housing, Remote Didactics, Campus Policies and COVID-19"

November thirty, 2020

Congratulations to PhD faculty member Buzz Spector on his exhibit "Buzz Spector: Alterations" at the Saint Louis Art Museum! The exhibit, which opened on November twenty, spans more than forty years of the creative person'due south works on paper.

Read nigh it in ArtDaily: "Saint Louis Fine art Museum presents 'Buzz Spector: Alterations'"

An accordion-fold book seen from above

Credit: Buzz Spector

October 22, 2020

Congratulations to PhD candidate Susannah Eig-Gonzalez for her poetry publication in the September 2020 issue of Beyond Words Magazine!

Read it hither: "Crossing Lines, Playing Roles"

A magazine cover, depicting a rusted iron fence separating the ocean from the beach.

September 22, 2020

Salvage the date for the upcoming Disquisitional & Creative Thinking Briefing, hosted by the Academy of Due south Florida at St. Petersburg! PhD candidate Jessica Hunter-Larsen, whose dissertation work involves the scaling of artistic process pedagogies across undergraduate education, will nowadays on Colorado College's Creativity & Innovation programme.

The conference will have identify about from Wed, September 30 through Friday, Oct 2, 11am-3pm EST each day. Hunter-Larsen's console takes place on October 2. She is also featured on the endmost plenary console.

Read more nearly the briefing and the panels here: Critical & Creative Thinking Conference

An abstract image of a human brain

August 26, 2020

Save the engagement for PhD candidate Cindy Veloric's upcoming lecture at PAFA! "Although artists have been addressing climate change for nearly ii decades, the pandemic of 2020 has reframed it as a parallel public health issue. This lecture will present a diverseness of multimedia and multimodal approaches that contemporary artists use to raise awareness and change our perceptions of human induced environmental damage."

The free lecture will have place virtually on September 23, at 12:00 PM Eastern time. Read more and register on PAFA'due south website: "Art at Apex: Fine art and the Climate Crisis"

An artistic image of a glacier melting over time

August 12, 2020

Congratulations to PhD candidate Cindy Veloric on her upcoming session at the Higher Fine art Association's annual conference! Veloric will chair "From Wheatfields to Ecosophy: A Consideration of Women Artists in the History of Climate Alter." Veloric'southward proposal was selected out of roughly eight hundred proposals.

CAA 2021 will take place February x-13, 2021.

Read more about the session on CAA'south website.

July 30, 2020

We are pleased to denote the PhD in Inventiveness'south first-e'er virtual info session, which will take place Tuesday, August eighteen, 2020, from 2:00 p.m. to two:45 p.m. EDT. The outcome will consist of a 30-minute console, followed past fifteen minutes of Q&A. Program Director Dr. Jonathan Fineberg and PhD candidates Susan Gordon and Susannah Eig-Gonzalez will discuss the genesis and philosophy of the PhD in Creativity, how the program serves its candidates, and more. We hope to see you in that location!

Register for the virtual info session on Eventbrite.

A picture of Hamilton Hall, a UArts building

July 20, 2020

Congratulations to Visiting Kinesthesia Buzz Spector on his upcoming solo exhibition at the Saint Louis Fine art Museum! Per the Museum's printing release, "Fizz Spector: Alterations spans the artist's career from the 1970s to the present and includes drawings, altered books, postcard assemblages, collages, and more."

Read more than on the Saint Louis Art Museum'south website.

A collage of cut-out dust jackets and ink on paper

Credit: Buzz Spector

July 8, 2020

Plan Director Dr. Jonathan Fineberg was recently featured in the New York Times, discussing the future of the artist Christo'due south piece of work. In addition to his work every bit the Program Manager of the PhD in Creativity, Fineberg is a renowned scholar of Christo'southward life and oeuvre.

The article also includes mention of the University of the Arts.

Read the article here: "It's Christo's Concluding Prove. But Is Information technology the Last We'll See of Him?"

An image of a package wrapped in brown paper and string - one of the artist Christo's works

July 7, 2020

Congratulations to PhD candidate Patricia Salkin, for her recent publication in Bloomberg Law! Hither, Salkin explains why a university campus's general counsel tin can exist a prime number candidate for the university presidency.

Read information technology here: "INSIGHT: Your Next College President May Exist the GC Side by side Door"

June 23, 2020

Congratulations to PhD candidate Susannah Eig, whose essay "'Only in this changing, what is your intent?' A Conversation with Sarah Enloe" was just published with the Shakespeare Association of America! Eig's dissertation work examines the ways in which American culture successfully uses Shakespeare as a pedagogy tool – particularly to teach emotional traits, like empathy and self-awareness. Here, she investigates those questions via a conversation with Sarah Enloe, Manager of Education at the American Shakespeare Heart.

Read the essay here: "'But in this changing, what is your intent?' A Conversation with Sarah Enloe"

A photo of the text of Macbeth

June twenty, 2020

Congratulations to PhD candidate Abel Tilahun, whose exhibition "Inner and Outer Space: Lalibela on the Moon" opens today in Lalibela, Federal democratic republic of ethiopia! The exhibition is part of an event for the Ethiopian Infinite Science Guild, celebrating the Annular Eclipse, which will take identify at that place on June 21. For those who cannot make the in-person show, Tilahun has ready up a virtual exhibition, which y'all can run across for yourself hither.

The exhibition as well echoes the themes of Tilahun's dissertation, a documentary film examining the common influence of art and space scientific discipline – with particular focus on the burgeoning space manufacture of Federal democratic republic of ethiopia, the state where stargazing originated.

The virtual exhibition will exist available until August 20, 2020.

A digital image of an ancient Ethiopian structure on the moon.

Credit: Abel Tilahun

June 18, 2020

PhD candidate Patricia Salkin, whose piece of work examines the exploding phenomenon of lawyers serving as academy presidents, was recently interviewed on Aureate/Pull a fast one on: Not-Billable, a podcast from the New York State Bar Association. Congratulations to her – and congratulations to the PhD in Inventiveness, mentioned at 4:18!

Listen to the podcast here: "How Billy Joel Explains the Suburbanization of New York with Patricia Salkin"

Logo for the Gold/Fox podcast - a pair of gold headphones on a blue background

June four, 2020

Program Director Dr. Jonathan Fineberg has published a new piece, "Remembering Christo'south Profound Humanism," in The Wall Street Journal. This piece honors and memorializes Fineberg's honey friend Christo, who also served on the advisory board of the PhD in Inventiveness and continues to serve as a model for our program.

Read the piece here at The Wall Street Journal, or here on Dr. Fineberg's website.

The artist Christo at a book signing in Paris

May 31, 2020

Nosotros at the PhD in Creativity are profoundly saddened to note the passing of Christo, whose life and creative spirit – as well every bit that of his wife Jeanne-Claude, who passed away in 2009 – serve as models to which our program aspires. Christo, a dear friend, served as a member on our informational board. We will greatly miss him.

An image of the artist Christo in profile

Photo credit: Wolfgang Volz

May 29, 2020

Congratulations to PhD candidate Susan Gordon for her essay in issue twenty.2 of Gastronomica! This essay follows Gordon's search for language to encompass the manner taste is tied to site in Italian republic. It also serves every bit a wonderful microcosm of Gordon'south PhD piece of work, which explores the relationship between linguistics, history, and place in Italia'due south Prosecco DOCG regions.

Read it hither: "What a Little Hilltop in Abruzzo Can Tell Us Most Words for Place"

An Italian vineyard

Photo credit: Susan Gordon

May 21, 2020

Congratulations to PhD candidate Cindy Veloric for her second essay in Ocean Annal, published today! This essay examines the oeuvre of American artist-activist Diane Burko, peculiarly her work capturing the dazzler of the world'southward dying coral reefs.

Body of water Archive is an enterprise of the Thyssen Bornemisza Academy in Vienna.

Read the essay here: "Science, Sensibility and Metaphor in the Coral Reef Artwork of Diane Burko"

An abstract blue painting of a coral reef

May 19, 2020

Program Director Dr. Jonathan Fineberg'southward latest essay, "Retentiveness in the Yr of Covid," which examines the work of the artist Zhang Xiaogang, has been published in the Los Angeles Review of Books China Channel. Like the piece of work of Zhang himself, this essay explores the pregnant of humanity, tragedy, and trauma – and the importance of art in processing and representing that.

A painting of a man sitting on a brown couch with a bell jar over his head

May 6, 2020

Program Manager Dr. Jonathan Fineberg was featured on NPR's "Hither and Now," talking well-nigh the importance of maintaining creativity during the coronavirus pandemic. Here, Fineberg explores the social and physical elements of creativity, equally well as the part of creativity in self-expression. He also explains how creativity drives human adaptability – which, as we can all imagine, is more of import at present than e'er.

Mind to the interview or read most it hither: "How Coronavirus Is Impacting the Fine art World"

A man standing on a great orange sheet, which is floating in a lake

April 30, 2020

Congratulations to PhD candidate Patricia Salkin, who yesterday was featured on a panel hosted by the Forum on Life, Culture & Lodge. On the panel, Salkin, alongside the Dean of Georgetown Law and the Senior Acquaintance Dean of Harvard Business Online, discussed the implications of COVID-19 on universities nationwide and the steps that schools have taken to accommodate.

Read more than here: "COVID-nineteen: Testing the Limits of Universities Nationwide"

Apr 17, 2020

Congratulations to PhD candidate Cindy Veloric for her contempo essay in Body of water Archive! Veloric's inquiry explores how combinations of aesthetics in art tin bear on the public'due south perceptions of environmental bug. In service of that aim, this essay reviews and explores Joan Jonas'south multi-media work Moving Off the State II.

Bounding main Archive is an enterprise of the Thyssen Bornemisza Academy in Vienna.

Read the essay here: "Joan Jonas , Moving Off the Land II: A consideration of 'strange strangers'"

An overhead shot of a canoe on green water, overlaid with the words "ocean archive"

March 24, 2020

Due to the international response to novel coronavirus (COVID-19), we regret to denote that the second cohort of PhD candidates has been deferred for one year. The 2020 summertime residency will accept place in summer 2021. We await frontwards to coming together our new students at that fourth dimension.

Feb 14, 2020

Congratulations to UArts PhD candidate Patricia Salkin for her recent publication in the American Bar Clan's Syllabus newsletter! This piece builds on Salkin'due south Washington Mail article about the rise of lawyer candidates in higher education leadership, which is also the discipline of her PhD dissertation.

Read it now: "From the Classroom to the Presidency: Legal Educators Tapped to Run the Campus"

A gavel

February half dozen, 2020

PhD candidate Eugene Hughes, whose inquiry examines how a relationship betwixt nature and the creative cocky can be a potent tool for the analysis and restoration of the self, had the opportunity to work with Hamish Fulton, a walking artist whose work can be found in such museums as the Tate Britain and MoMA.

Two white men standing in front of a framed poster.

January 20, 2020

Congratulations to UArts PhD candidate Jessica Hunter-Larsen, whose work integrating creativity into the Colorado College undergraduate curriculum was profiled in a special brief from the Relate of Higher Education!

Encounter the upshot here: The Creativity Challenge

A magazine cover, showing a cardboard box with an open door on the side.

FAQ

Hither are some frequently asked questions virtually University of the Arts' PhD in Creativity, the get-go of its kind in the nation.

Aggrandize all Collapse all

How is UArts treatment the novel coronavirus (COVID-19) pandemic?

What does "single-cohort model" mean?

The PhD in Creativity hosts one cohort at a time, in order to devote our full resources to our students. The current cohort will graduate in May 2022, and the next cohort will begin in June 2022. We will accept applications in the summer/autumn 2021 for the next PhD cohort.

Is the programme accredited?

Yes. The program is fully accredited past the Middle States Commission on College Education.

What are the courses and who are the kinesthesia?

For a await at the full curriculum, visit our catalog.

Read more nigh the program's managing director and kinesthesia on the "People" tab. Guest artists and lecturers for the 2019 Creativity Immersion included professionals working in culinary arts, design, museum curation, social justice, and visual and performing arts.

What can you tell me about the PhD dissertation? Does it take to be a written work?

The PhD project is typically a written dissertation. However, information technology may also take other forms, as long as the final piece of work may be publicly shared and the dissertation committee is satisfied by the depth of inquiry and thought. If written, the dissertation is typically between thirty,000 and 50,000 words or the equivalent as approved past the individual'southward commission. Research projects in disciplines in which a book-length dissertation is not normal will conform to the standards in those fields. Students will present their work on a monthly basis to their committee and defend their dissertation in June of their third year, unless an extension is canonical by their committee.

The dissertation committee volition annually review the student's progress on the dissertation and volition determine if the progress warrants continuing in the program. We reserve the right to finish a student in the program if at that place is insufficient progress.

How many students are in each cohort?

Each accomplice has between five and 10 students.

I'yard an artist. Is this plan correct for me?

This is not a studio-based degree; rather, information technology is research-based.

We seek students who have already accomplished proficiency in an intellectual pursuit in whatever field, such that the candidate is prepared for the dissertation phase of a rigorous, but out-of-the-box, PhD. Our students typically have constitute themselves wanting to transcend the disciplinary limits of their training with an interdisciplinary project. We expect for projects that may not easily fit into programs elsewhere. We actively encourage students currently enrolled in PhD programs elsewhere to enroll in the ii-week Creativity Immersion for a fee; leaving a current program is not required.

What are some examples of dissertation topics?

You lot tin can read more than well-nigh the starting time PhD cohort'south dissertation topics by viewing their profiles, located under the People tab.

What can I do with this degree? What is the post-program employment potential?

We intend to set our graduates for a more than artistic approach to whatsoever path they take, and wait industries, as well as the academy, to set a premium on our degree. Past redefining the underlying arroyo to their exercise, our graduates return to the work world equipped with deep expertise in an area they will assistance to define and in which they are strongly invested.

Is there fellowship coin?

The university does not offer assistantships, and fellowship funding from the university is limited. Fellowships are granted based on a combination of merit and demand; in order to be considered for fellowships, students who are able to fill out the FAFSA must exercise so. If eligible, students who consummate the FAFSA may also receive an offer of $20,500 in Federal Direct Unsubsidized loans. Y'all can utilise to borrow additional funds to cover your costs in the form of a Federal Direct Graduate PLUS loan or individual educational loans.

How do I employ for a fellowship?

Fellowships are granted based on a combination of merit and need; in order to exist considered for fellowships, students who are able to fill out the FAFSA must do so. All students are besides strongly encouraged to seek fellowships from external sources in the forms of scholarships, grants and fellowships from foundations and corporations. University of the Arts' Function of Student Financial Services can assist you in starting your funding search.

Please notify us if y'all have an exterior company or agency that will be assisting with funding your caste. This will non disqualify you from being considered for university funds merely will allow united states to facilitate payment processing.

Tin can I take a TA position during the program for fellowship coin?

The university does not offer assistantships, and fellowship funding from the university is express. If eligible, students who complete the FAFSA may receive an offer of $xx,500 in Federal Direct Unsubsidized loans. You lot can employ to borrow additional funds to cover your costs in the grade of a Federal Straight Graduate PLUS loan or private educational loans.

Do I have to live in Philadelphia? What does "low-residency" mean?

You do not take to alive in Philadelphia.

Students participate in three residency sessions over the class of the plan. For those three sessions, students must reside on-campus in Philadelphia. For the residuum of the plan, students work remotely in concert with their dissertation committees, cohort and program faculty.

How oftentimes do I need to be on campus?

In mid-June of the start year, students will come up to Academy of the Arts for a two-calendar week intensive residency. The cohort reconvenes in January for 1 week, and then again in the second summer of the program for 1 week.

Who volition exist my advisors?

Our program has several advisors for each dissertation. They are selected to be specifically suited to the project, and they are more actively involved than in most residential programs, which is what makes it possible to consummate the degree in three years.

It is a good idea to have an idea of the specific advisors you would like to work with when yous apply to the program. The director volition take this into account every bit he builds your committee.

Your committee need not exist UArts faculty and will be tailored for you.

How should my dissertation be formatted?

We prefer the Chicago Manual of Manner.

Exercise you have a mailing list?

Sign up for news and updates here.

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Source: https://www.uarts.edu/academics/phd-program

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